THE STORY OF A PRODUCTION THAT CHANGED THE METROPOLITAN OPERA

Robert Wilson’s staging of Wagner’s “Lohengrin” opened to a wall of boos in 1998. But it brought new theatrical possibilities to the Met

The New York Times

“For me it was a really seminal experience at the Met. It was kind of the intersection of what I wanted to do as a youth — wild, crazy avant-garde theater — and traditional opera. The Met was trying to be avant-garde, and I think they succeeded, and Bob really wanted to have a show at the Met. This production meant a lot to him, and it meant a lot to help him get his vision done on this grand scale, and have it come off so seamlessly. I think it was a crossroads for the Met, that yes, there’s an audience for this. I would take the 1 train home, and there would be people saying they loved it, people saying they hated it. How much of a reaction can you get out of an audience these days?”